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Music and the Beetles Influence
But others capture the breadth of the band’s influence without pulling focus from the phenomenon itself. Not least of all a brief word from Sigourney Weaver. Which the actress reminisces about a 1965 concert at the Hollywood Bowl. Over the top of contemporary news footage that grainily but unmistakably places her delighted 12-year-old self at the scene. Other than obligatory signposts to epoch-defining events like the Kennedy assassination, there’s little historical context – but that’s because Howard understands the band is the historical context. The phenomenon of their live appearances – not just the concerts themselves, but the cheeky press conference preludes, and the hysterical, garment-rending fallout – itself defines the era with a spiky precision.
Music during The Civil Rights Movement
The mid-century Civil Rights Movement becomes part of the story. For example, because the band’s manager Brian Epstein included a line in their touring contracts. It specified the band would not play to segregated crowds. Whoopi Goldberg, who was at the famous 1965 Shea Stadium gig, says she “never thought of them as white guys,” and describes them as “colorless” – one of a few trains of thought you wish Howard had allowed through a few more stations. Likewise, the film shrewdly draws a line between the Beatles’ mischievous sense of humor. Their long-time producer George Martin’s earlier life recording alternative comedy. (Martin had worked with the Goons, an enormous influence on the band’s growing lyrical eccentricity in that period. As well as their off-the-cuff ribbing of strait-laced reporters.) But like many other ideas here, it’s tantalizingly flicked through, then shelved a little too early.